Christina Conradi
Animatic Editor
Here's a non-exhaustive list of what you can expect from me:
- commercials
- short films
- series
- game trailer
- on-site (London)
- remote (anywhere)
- short term
- long term
- quality
- efficiency
- flexibility
- disappointment
To learn more about me and how I work please head to the ‘About me’ section.
For examples of my previous projects please see below.
Narrative Films
'Ready, Eddie, Go!'
Animatic Editor
Sky Kids | 2023 | 26x 7 min
Director: Justin Lowings
@ Hocus Pocus Studio
'Kizazi Moto:
Generation Fire - Enkai'
Assistant Animatic Editor
Disney+ | 2023 | 14 min
Director: Ng’endo Mukii
@ Blink Industries
'Peter & the Wolf'
Assistant Animatic Editor
MAX | 2023 | 30 min
Directors: Elliot Dear and Stephen McNally
@ Blink Industries
Game Trailer:
'Sunken Secrets'
Animatic Editor
Fall Guys | 2022 | 60 sec
Directors: Kyra & Constantin
@ Passion Pictures
'Gift Grab Event'
Animatic Editor
Fall Guys | 2022 | 20 sec
Directors: Kyra & Constantin
@ Passion Pictures
'Creative Construction'
Animatic Editor
Fall Guys | 2023 | 25 sec
Directors: Kyra & Constantin
@ Passion Pictures
Commercials:
'Finns Parents'
Animatic & Plate Editor
Migros | 2018 | 1:10 min
Animation Directors: Kyra & Constantin
Live Action Directors: Dorian & Daniel
@ Passion Pictures
'Lets Make Dreams Come True'
Animatic & Plate Editor
Migros | 2023 | 1:30 min
Animation Directors: Kyra & Constantin
Live Action Director: Jake Scott
@ Passion Pictures
'First Christmas'
Animatic Editor
Erste Group | 2018 | 1:37 min
Directors: Kyra & Constantin
@ Passion Pictures
'Hanna Bumblebee'
Animatic Editor
Erste Group | 2019 | 1:38 min
Directors: Kyra & Constantin
@ Passion Pictures
'The Composer'
Animatic Editor
Erste Group | 2020 | 2 min
Directors: Kyra & Constantin
@ Passion Pictures
'Nora's Joy'
Animatic Editor
Toyota | 2021 | 60 sec
Directors: Kyra & Constantin
@ Passion Pictures
'Musical Notes'
Animatic & VFX Editor
Stella Artois| 2020 | 60 sec
Director: Stephen McNally
@ BlinkInk
'Rose Tinted'
Animatic & VFX Editor
Stella Artois| 2020 | 40 sec
Director: Stephen McNally
@ BlinkInk
'Joy & the Heron'
Animatic Editor
JD.com | 2018 | 4min
Directors: Kyra & Constantin
@ Passion Pictures
'#SupportSmall'
Animatic Editor
QuickBooks | 2020 | 5x 20sec
Director: Chris Bristow
@ BlinkInkLowings
'Switched On'
Animatic Editor
Anchor | 2017 | 30sec
Directors: Kyra & Constantin
@ Passion Pictures
'Hometime'
Animatic Editor
Anchor | 2017 | 30sec
Directors: Kyra & Constantin
@ Passion Pictures
'Nut Bowl'
Animatic Editor
Planters | 2022 | 15 sec
Directors: Kyra & Constantin
@ Passion Pictures
Non-Animatic Editing:
'Love Death & Robots
- Zima Blue'
Assistant Editor
Netflix | 2019 | 10 min
Director: Robert Valley
@ Passion Pictures
'The Story Continues'
Editor
Wimbledon | 2019 | 60 sec
Director: Elliot Dear
@ BlinkInk
'The More That You See…'
Editor
Farmers Insurance | 2019 | 60 sec
Director: Christian Mills
@ Passion Pictures
'Welcome to
the Flavourhood II'
VFX Editor
DoorDash | 2021 | 60 sec
Directors: Essy May & Stevie Gee
@ BlinkInk
'Purr more'
On-Site Editor
Whiskas | 2021 – 60 sec
Director: Nina Gantz
@ BlinkInk
'The Hmmm-ingbird'
Editor
TopCashback | 2021 | 30 sec
Directors: Andy & Adeena
@ BlinkInk
About me:
I’m Christina, born and raised in Hamburg, Germany and now a passionate freelance animatic editor based in London.
My journey into the realm of moving pictures began during my time in school when I discovered the captivating art of video editing. The thrill of problem-solving and perfecting timing and rhythm within storytelling led me to fall head over heels for the craft.
My venture into animatic editing unfolded unexpectedly. While seeking work placements in London’s film production scene, I got introduced to the world of “animatics”, took the plunge and discovered an innate talent. Since then, I’ve dedicated myself to editing animatics, guiding projects from initial rough drafts to meticulously timed final edits, ready for animation (and beyond).
One consistent praise I’ve received is my ability to work swiftly and efficiently without compromising quality. In fact, I’ve often been told that I work too fast! Being neurodivergent, this ability to work at a rapid pace while maintaining exceptional quality is part of the unique skill-set I bring to the table. Feedback often commends my organizational skills and the depth of my commitment to every project I undertake.
Collaboration is at the heart of my process. While certainly capable of working independently, I thrive on close collaboration with directors, producers, storyboard artists and other editors. Working closely with the director early on in a projects allows me to really understand their style and preferences, ensuring a smooth and independent workflow down the line.
My portfolio boasts a range of projects, from leading the editing on SkyKids series “Ready, Eddie, Go!” to contributing as an assistant animatic editor on a Disney short (“Kizazi Moto: Generation Fire – Enkai”) and MAX’s “Peter & the Wolf”, among others. Some of my work on Christmas commercials, notably Erste Bank’s “First Christmas”, has garnered viral attention.
My educational background in German Language, with a focus on theatre and media studies, adds depth to my storytelling abilities. My hands-on experience and commitment to self-education have honed my skills.
Balancing creative vision and client expectations can be challenging. I excel in proposing creative solutions that align with both visions. However, when necessary, I advocate for the film’s best interest, while respecting the client’s final decision.
Looking forward, my aspiration is to delve deeper into longer-form projects that echo my values and touch on my special interest, such as representation of neurodiversity (or any kind of diversity for that matter), children’s education and mental health. (If anyone at ‘Bluey’ is reading this – please drop me a line!)
TL;DR:
🌟 Efficient and Quality-driven: Recognized for working swiftly and efficiently without compromising quality! As a neurodivergent individual, this unique ability defines my approach to the craft.
💡 Approach: Collaborative and intuitive, I thrive on working closely with directors, storyboard artists and producers to perfect each project.
📽️ Notable Projects: Led editing on SkyKids series “Ready, Eddie, Go!” and contributed to renowned projects like Disney’s “Kizazi Moto: Generation Fire – Enkai” and MAX’s “Peter & the Wolf.”
🛠️ Tools of the Trade: Proficient in Adobe Premiere, ensuring swift yet top-notch quality animatics.
🎓 Passion for Learning: Efficient self-educator, eager to collaborate and learn from industry peers, always looking to pick up new techniques and ideas.
✨ Future Goals: Aspiring to contribute to longer-form projects aligning with my personal values and special interests, such as representation of (neuro-)diversity, children’s education and mental health.
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